Trickster is an apt name, as what at first seems like a quiet, unassuming recording turns into an unexpected delight with further investigation. Okazaki has accomplished a difficult feat: Making a record that is both adventurous and accessible.
Okazaki and his group take Steve Coleman’s M-Base concepts and apply their own interpretation, one which encompasses complex rhythms married to compositions with attractive melodies, even hints of the blues and boogie-woogie.
Okazaki has a quiet style that fits the music perfectly, and Craig Taborn does his usual fantastic job of fitting into a group concept and bringing his point of view. Tidd and Rickman are less well known to me, but provide sure-handed support in support of the mood of each piece.
Miles Okazaki has taken a huge leap forward in his evolution as an artist with Trickster.
Anthony Tidd, Miles Okazaki, Sean Rickman & Craig Taborn (photo by Dimitri Louis).jpg (296.8 KB)
Anthony Tidd, Sean Rickman, Miles Okazaki & Craig Taborn at the Jazz Gallery, Broadway, New York, USA, on January 13, 2016 (photo by Willie Davis for The New York Times).jpg (100.8 KB)
